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Pulp - Different Class (1995)
Cover Front Album
Artist/Composer Pulp
Length 48:12
Format CD
Genre Brit Pop
Label Island Records Ltd.
Index 162
Collection Status In Collection
Packaging Jewel Case
Musicians
Vocals, Guitar Jarvis Cocker
Guitar, Violin Russell Senior
Drums and Percussion Nick Banks
Keyboards Candida Doyle
Bass Guitar Steve Mackey
Credits
Songwriter Jarvis Cocker
Songwriter Pulp
Engineer David "Chipper"Nicolas
Producer Chris Thomson
Track List
01 Mis-Shapes 03:46
02 Pencil Skirt 03:11
03 Common People 05:50
04 I Spy 05:55
05 Disco 2000 04:33
06 Live Bed Show 03:29
07 Something Changed 03:18
08 Sorted for E's & Wizz 03:47
09 F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. 0 06:01
10 Underwear 04:06
11 Monday Morning 04:16
12 Bar Italia
Personal Details
Price kr. 0,00
Details
Studio Town House
Spars DDD
Rare No
Country England
Sound Stereo
UPC 731452416520
Notes
After years of obscurity, Pulp shot to stardom in Britain with 1994's His N' Hers. By the time Different Class was released at the end of October 1995, the band, particularly lead singer Jarvis Cocker, were genuine British superstars, with two number two singles and a triumphant last-minute performance at Glastonbury under their belts, as well as one tabloid scandal. On the heels of such excitement, anticipation for Different Class ran high, and not only does it deliver, it blows away all their previous albums, including the fine His N' Hers. Pulp doesn't stray from their signature formula at all - it's still grandly theatrical, synth-spiked pop with new wave and disco flourishes, but they have mastered it here. Not only are the melodies and hooks significantly catchier and more immediate, the music explores more territory. From the faux-showtune romp of the anthemic opener "Mis-Shapes" and the glitzy, gaudy stomp of "Disco 2000" (complete with a nicked riff from Laura Branigan's "Gloria") to the aching ballad "Underwear" and the startling sexual menace of "I Spy," Pulp construct a diverse, appealing album around the same basic sound. Similarly, Jarvis Cocker's lyrics take two themes, sex and social class, and explore a number of different avenues in bitingly clever ways. As well as perfectly capturing the behavior of his characters, Cocker grasps the nuances of language, creating a dense portrait of suburban and working-class life. All of his sex songs are compassionate, while the subtle satire of "Sorted for E's & Wizz" is affectionate, but the best moment on the album is the hit single "Common People," about a rich girl who gets off by slumming with the lower class. Coming from Cocker, who made secondhand clothes and music glamourous, the song is undeniably affecting and exciting, much like Different Class itself